This interesting work combines elements of the waning classical era and of early romanticism. Mass in F rarely makes use of counterpoint of more than a few measures, relying more upon a moderately rich harmonic texture reminiscent of Neukomm's friend Mendelssohn.
This interesting work combines elements of the waning classical era and of early romanticism. Mass in F rarely makes use of counterpoint of more than a few measures, relying more upon a moderately rich harmonic texture reminiscent of Neukomm's friend Mendelssohn.